首页分享华研原版英文原版 The Language of Flowers 花语人人图书馆诗选精装英文版进口英语原版书籍

华研原版英文原版 The Language of Flowers 花语人人图书馆诗选精装英文版进口英语原版书籍

来源：花匠小妙招时间：2026-03-13 03:04

【商品详情】

书名：The Language of Flowers 花语

作者：Various

出版社名称：Everyman

出版时间：2017

语种：英语

ISBN：9781841598079

商品尺寸：11 x 2 x 16.5 cm

包装：精装

页数：256（以实物为准）

花卉的语言与语言本身一样古老。在最早的诗歌中，熟悉的植物被用来代表简单的情感、想法或心境：爱、希望、绝望、忠诚、孤独、美丽、死亡。随着时间的推移，这些联想与神话和传说、宗教象征主义、民间和草药传说纠缠在一起。到19世纪初，"花语 "变得越来越精炼，特别是在英国和美国，那里的感性花书列出了花的含义，并用诗句加以说明，是常年的畅销品。

《花语诗歌选集》没有牺牲其维多利亚时代前辈的魅力，旨在为21世纪提供扩展的、更新的、相当有力的花语选集，介绍从古希腊到当代英国和美国的诗歌，并跨越古巴到韩国、俄罗斯到津巴布韦的世界。

这里有关于玫瑰的鲁米和里尔克；关于百合的赫里克和路易丝-格鲁克；关于雏菊的乔叟、艾米莉-狄金森和乔恩-西尔金；关于雪绒花的玛丽-罗宾逊和泰德-休斯；关于紫罗兰的洛伦佐-德-美第奇、约翰-克莱尔和爱丽丝-奥斯沃德。关于康乃馨的雨果和罗思克；关于罂粟花的奥维德和歌德；关于向日葵的布莱克和尤金-蒙塔勒；关于甜心和勿忘我的克里斯蒂娜-罗塞蒂；关于野兔花和石楠花的艾米莉-勃朗特，关于羽扇豆的西默斯-希尼，关于夜香花的帕斯捷尔纳克。 ..

丰富的东方文化也得到了很好的体现：有赞美菊花和牡丹的唐诗，有关于兰花和莲花的禅诗，有关于印度的茉莉花和金盏花的诗，有来自波斯、奥斯曼帝国和阿拉伯世界的玫瑰、郁金香和水仙花。

花卉按季节排列，玫瑰和百合花有自己的章节。在最后一节中，诗人直接或间接地评论了花的语言本身。本书最后有一个精选的词汇表，该词汇表来自维多利亚时代的几个著名的收藏。

The language of flowers is as old as language itself. In the earliest poetry familiar plants were used to represent simple emotions, ideas, or states of mind: love, hope, despair, fidelity, solitude, beauty, mortality. Over time these associations entwined with myth and legend, with religious symbolism, folk and herbal lore. By the early 19th century the 'Language of Flora' had become increasingly refined, especially in England and America, where sentimental flower books listing flower meanings and illustrating them with verse were perennial bestsellers.

The Everyman Language of Flowers without sacrificing the charm of its Victorian predecessors aims to provide extended, updated and rather more robust floral anthology for the 21st century, presenting poetry from ancient Greece to contemporary Britain and America, and spanning the world from Cuba to Korea, Russia to Zimbabwe.

Here are Rumi and Rilke on the rose; Herrick and Louise Gluck on the lily; Chaucer, Emily Dickinson and Jon Silkin on the daisy; Mary Robinson and Ted Hughes on the snowdrop; Lorenzo de Medici, John Clare and Alice Oswald on the violet; Hugo and Roethke on carnations; Ovid and Goethe on poppies; Blake and Eugenio Montale on the sunflower; Christina Rossetti on heartsease and forget-me-nots; Emily Bronte on harebells and heather, Seamus Heaney on lupins, Pasternak on night-scented stock...

Eastern cultures, rich in flower associations, are well represented: there are Tang poems celebrating chrysanthemums and peonies, Zen poems about orchids and lotus flowers, poems about jasmine and marigolds from India, roses, tulips and narcissi from Persia, the Ottoman empire and the Arabic world.

Flowers are arranged by season, with roses and lilies in a section of their own. In a final section poets comment directly or indirectly on the language of flowers itself. The book concludes with a selected glossary drawn from several celebrated Victorian collections.